摘要
老舍在其小说中塑造了众多悲剧化的女性形象,如贤妻良母、凶蛮悍妇、贫苦少女等。她们大都处于从属地位,处于一种被社会、家庭压制的状态之下。这种压抑的状态和无力的反抗导致了其悲剧化的命运。老舍对女性命运的悲剧书写既来源于自身的生活经验,也有新旧文化碰撞后的反思,同时也受到康拉德悲剧小说的影响。这种书写不是一时的突发奇想,既是小说情节发展的必然,也是作者个人生活与爱憎态度的投射。
Lao She depicted many tragic female images,including good wives and mothers,shrewish women and poverty stricken girls.Most of them are in subordinate positions,suppressed both in society and family.This repressive state and powerlessness to resist lead to their tragic fate.Lao She’s writing of women’s tragic fate is the reflection both of his own life experience and meditation over the collision of the new and old cultures,and the influence of Conrad’s novels on him.This kind of writing is not the result of a sudden whim,but rather the logic of the plot development of the novels,and a mirror of the author’s personal life and love and hate.
作者
李文静
Li Wenjing(School of Humanities,Xuzhou Institute of Technology,Xuzhou 221000,China)
出处
《洛阳师范学院学报》
2021年第6期68-71,共4页
Journal of Luoyang Normal University
基金
徐州工程学院校级科研项目(XKY2017201)。
关键词
老舍
女性形象
悲剧
创作来源
Lao She
female image
tragedy
inspiration for creation