徽州农村门神画艺术形象研究

Study on the Artistic Image of Huizhou Rrural Door God Painting

门神画是民俗文化中不可或缺的一部分,民俗文化影响着门神画,而门神画以其特有的艺术形式表现着民俗文化。文章以《太岁神姜太公》、《秦琼尉迟恭》、《天官赐福》、《三星在户》为主要研究对象,将其中的门神艺术形象,结合民俗文化进行研究。徽州门神画受徽州民俗文化的影响,其艺术形象具有一定的夸张性,主要表现在饱满的构图、完整人物造型、具有象征意义的吉祥器物以及对人物和器物的夸张变形,通过对画面主体的展现,突出门神画驱邪避灾与纳福迎祥的内在寓意,体现百姓对美好生活的向往。

Door god painting is an indispensable part of folk culture,folk culture affects Door god painting,and Door god painting with its unique artistic form of folk culture.In this paper,the main research objects are"Tai-Sui-god Jiang Tai-gong","Qin Qiong Yu-Chi Gong","Heavenly Official Bless"and"Three Star in the House",and the artistic images of door gods in them are studied in combination with folk culture.Influenced by the folk culture of Huizhou,the artistic image of the Door God Paintings of Huizhou is exaggerated to a certain extent,which is mainly manifested in the full composition,complete figure modeling,auspicious objects with symbolic significance and exaggerated deformation of figures and utensils.Through the presentation of the main body of the picture,the intrinsic meaning of the Door God Paintings to drive away evil spirits,avoid disasters and welcome happiness,and reflect people’s longing for a better life.