隋唐时期寿州窑陶瓷纹样装饰的文化艺术背景研究

Research on the Cultural and Artistic Background of Ceramic Pattern Decoration in Shouzhou Kiln in Sui and Tang Dynasties

寿州窑陶瓷是中华民族文化符号和审美习惯的鲜活载体、样本和记忆,经过魏晋南北朝、隋朝和初唐的发展,至唐代中期发展到达全盛时期,对社会进步和改善人民生活质量作出了极大的贡献,在中国陶瓷史上留下了不可磨灭的记忆。隋唐时期寿州窑陶瓷的纹样装饰具有简洁大方、舒展流畅、造型优美的艺术特点,纹样装饰的不同及变化也反映出不同时期的历史演变及社会生活、外来文化、思想浪潮对于艺术美学的深刻影响。将隋唐时期的文化艺术背景和寿州窑陶瓷纹样装饰的美学表现联系起来,通过对在隋唐时代背景之下寿州窑陶瓷中莲花纹、卷草纹等植物纹饰,鱼纹、龙纹等动物纹饰这样的典型案例进行研究分析,研究寿州窑陶瓷美学表现与文学价值,探究寿州窑陶瓷纹样真正的文化艺术渊源以及在传播过程中如何与寿州窑陶瓷这一艺术本体的融合问题。

The life of the state kiln porcelain is a symbol of Chinese national culture and the aesthetic habits of fresh carrier,sample and memory,through the development of the Wei and Jin Southern and Northern dynasties,Sui and early Tang,to the medium-term development reached its heyday in Tang dynasty,for social progress and improving people’s quality of life has made a tremendous contribution,in the history of Chinese ceramics left an indelible memory.The pattern decoration of Shouzhou kiln ceramics in Sui and Tang Dynasties is characterized by its simplicity,generosity,smoothness and graceful shape.The different and changes of pattern decoration also reflect the profound influence of historical evolution,social life,foreign culture and ideological waves on art aesthetics in different periods.Of Sui and Tang dynasties culture background and life of state kiln ceramic art patterns decorative aesthetic performance,based on in the Sui and Tang dynasties era background life of state kiln porcelain lotus pattern,such as the volume grass grain plant grain,fish,animals,such as dragon grain through analyzing the typical cases,so the life of state kiln ceramic aesthetic expression and literary value,explore the real cultural life of state kiln ceramic designs artistic origin and in the process of transmission and how life of state kiln ceramic this art ontology integration problem.