摘要
2021年3月18日,由四川美术学院与法国驻成都总领事馆联合举办的“谢阁兰的中国印迹——中国古代遗址的视觉想象”展览在重庆南岸法国水师兵营旧址开幕。穿越百年,今天的我们重新回望这位曾走遍古代中国半壁山河的法国学者谢阁兰和他所留下的研究纪实文稿与影像,依然能够体会到他当年的视觉经验与感受。本文分别从谢阁兰先生在中国的旅程与考察成果总结以及本次展览整体内容呈现两个方面入手。
On March 18,2021,the exhibition“VOYAGES EN CHINE DE VICTOR SEGALEN,A LA RENCONTRE DE SITES ANCIENS”,jointly hosted by Sichuan Fine Arts Institute and the Consulate General of France in Chengdu,opened at the old site of French naval barracks in Nan’an District,Chongqing.After a hundred years,we can still feel his visual experience and feeling at that time when we look back at Victor Segalen,the French scholar,who traveled half of ancient China,and his research documents and images.This paper starts with the summary of Mr.Victor Segalen’s journey and investigation results in China and the presentation of the overall content of this exhibition.
出处
《当代美术家》
2021年第3期38-41,共4页
Contemporary Artists
关键词
谢阁兰
汉代墓葬艺术
视觉想象
Victor Segalan
tomb art in the Han Dynasty
visual imagination