完整与支离:2020年度罗中立奖学金

Integrity and Fragment:2020 Luo Zhongli Scholarship Exhibition

本届奖学金的作品主题风格区分比较明显,大致可以分为科技发展与人的关系、疫情下艺术家从微观出发对生活社会思考这两个方面。展览作品的呈现完成度高,与此同时作品的呈现又是支离的,在相对独立的空间中,同时用到了绘画、视频、装置,从平面到空间的运用,这样的展出方式让观者分散了注意力,也增加了艺术家对不同媒介控制的难度,对于作品运用媒介的张力可能会相互抵消,笔者通过对展览作品的讨论分析艺术家创作中完整与支离的关系。

Artworks of this scholarship exhibition differ in themes and styles,which can be divided into two aspects—relation between scientific development and people,and artists’thoughts on life and society,from the micro perspective during the pandemic.The demonstration of artworks is systematic and fragmentary.In the relatively self-contained space,there are paintings,videos and installations,and the application of both flat surface and space distracts attention of the audience and increases the diffi culty of handling different media for artists.As for the counterbalance of the artworks’tension that applies media,the author discussed the relation of integrity and fragment during artists’creation.