摘要
美术馆展出的作品可能更多是艺术家本身的思考,而艺术不止存在于美术馆展厅,甚至不止存在于城市空间。龙兴语多年来沉浸于在地性艺术的创作,在尊重“在地”乡土的内生逻辑的前提下,强调作品本身在某地、某些观众、某个场域中最大可能地产生效力,在学院教学体系之外寻求艺术更多的可能性。他提出问题,并把观众纳入其中,在作品创作过程中寻求答案,这个答案关乎艺术,也关乎人生。
The works displaying in an art museum may be more about the artist’s own thinking,but art doesn’t only exist in an art gallery or an urban space.Therefore,Long Xingyu has immersed himself in the creation of local art for many years.On the premise of respecting the endogenous logic of“site-specific”,he emphasizes that the artwork itself ought to play an effective role in some place,some audience or some field,seeking more artistic possibilities besides the teaching system of academy.He puts forward questions,invites the audience to engage,and finds answers during the creation of works.The answer is about art,and life as well.
作者
龙兴语
江殷洁
Long Xingyu;Jiang Yinjie
出处
《当代美术家》
2021年第3期68-69,共2页
Contemporary Artists
关键词
实验性
有效性
现场
experimental
effectiveness
site