环环相扣的巧思——论蒋韵《你好,安娜》的叙事艺术

Interlocking Ingenuity:the Narrative Art of Jiang Yun’s Hello,Anna

蒋韵时隔数年再次创作的长篇小说《你好,安娜》承继了其擅长的心灵剖析,通过使用多种叙事艺术手段,围绕心灵之罪与自我救赎的主题展开了多重阐述。具体言之,《你好,安娜》通过在不同时空中的视点转换,结合蒋韵柔婉、简约的叙述风格,以多线的结构方式与多层的隐喻内涵讲述了小说主人公们的"罪与罚",形成对于人性的矛盾性的思考与阐释。

Jiang Yun’s Hello,Anna,which is created again after a few years,inherits her good mind analysis and use of a variety of narrative artistic methods to expand multiple expositions around the theme of the sin of the soul and self-salvation.To be specific,Hello,Anna,through the perspective conversion in different time and space,combined with Jiang Yun’s soft and simple narrative style,with a multi-line structure and multi-layer metaphorical connotation,tells the protagonists of the novel’s"crime and punishment",forming the contradictory thinking and interpretation of human nature.