上海博物馆馆藏唐寅山水图的修复

Restoration of a landscape painting by Tang Yin in the collections of Shanghai Museum

上海博物馆馆藏唐寅山水图为绢本画芯,因年代久远,画面出现老化、破损、画意残缺、折痕断痕严重,急需重新修复,为此,制定了修复方案。修复过程严格按照古书画修复的五大工序“洗、揭、补、托、全”来进行,并严格遵守“最小干预性”“最大信息保留”和“安全性”的原则,根据修复的前后对比图来看,修复方案是可行的。通过不断实践和理论研究探讨,对每一件文物都会采用最适合的修复方法。相信此件文物的修复案例对于其他绢本类书画文物装裱修复具有借鉴意义。

A landscape painting by Tang Yin is a silk scroll painting in Shanghai Museum collection.Time-honored as it is,the painting appears to be aged,damaged,incomplete and badly creased,and is in urgent need of restoration.A restoration plan was made strictly in accordance with the five procedures of ancient painting and calligraphy restoration,namely,“washing,uncovering,repairing,supporting and inpainting”.The restoration process also firmly adhered to the principles of“minimum intervention”“maximum information retention”and“safety”.Based on comparison of pictures before and after restoration,the restoration plan was found successful.Through constant practice,theoretical research and further discussion,the most suitable restoration method can be adopted for each cultural relic.