互文式独白:庞德《诗章》与布朗宁的“独白体”

Intertextual Monologue: Ezra Pound’s The Cantos andRobert Browning’s Dramatic Monologue

庞德不仅是一位敢于在欧美诗坛标新立异的意象派诗人,他也是一位能够在20世纪世界诗坛开拓创新的先锋派诗人和现代派作家。庞德通过史诗代表作《诗章》充分彰显了他在诗歌创作方面的杰出才华。《诗章》具有鲜明的互文性特征,也具有文本对话和狂欢化的属性。在《诗章》中,庞德通过借鉴布朗宁的“独白体”创作方式,一方面呈现“独白体”与《诗章》文本风格的某种契合,另一方面借助多声部独白和蒙太奇式表达,创造性地呈现了庞德式的现代主义诗歌特点。

Ezra Pound is not only an imagist poet who dares to make innovations in European and American poetry,but also an avant-garde poet and modernist writer who can manage poetic experiments in the world poetry circle in the 20th century.Pound has fully demonstrated his outstanding talent in poetic creations through his epic poem The Cantos.Basically,The Cantos has the characteristic feature of intertextuality between the lines.Also,it is characterized by artistic features of dialogism and carnivalization.In The Cantos,through referencing Robert Browning’s“monologue”,Pound,on one hand,reveals that the“monologue”agrees with the textual style of The Cantos,and on the other hand,he creatively presents his unique Poundian modernist styles with the help of multi-voice monologues and the expressions of montage.