滩头木版年画的美学特征分析

Analysis of the Aesthetic Characteristics of Tantou Wood New Year Prints

湖南滩头木版年画作为湘楚文化浓墨重彩的一笔,以浓厚的楚南地方特色自成一派。从明末清初到民国初年,滩头年画逐渐形成了自己独特的美术风格。通过实地考察,对滩头年画收集整理归纳,解读出年画所蕴含的平安顺遂、吉庆祥瑞、天人合一的文化内涵。滩头木板年画追求“神”似的造型,热烈、大胆的色彩,形象生动的心理描绘,展现了真实性与功利性、内容美与形式美的统一。

Hunan Tantou New Year wood-block prints are a type of Xiangchu culture with strong local characteristics of southern Chu.From the late Ming Dynasty and the early Qing Dynasty to the early Republic of China,Tantou woodblock New Year prints have gradually formed their own unique artistic style.Through on-the-spot investigation,the collection of Tantou New Year prints is summarized,and the cultural connotation of peace and prosperity,auspiciousness and auspiciousness,and the harmony of nature and man is interpreted.The characteristics of Tantou woodblock new year prints,such as the pursuit of“god”like modeling,enthusiastic and bold color,vivid psychological description,are an expression of the unity of authenticity and utility,content and form.