从《文心雕龙》《二十四诗品》看物色观理论的发展

The Development of Landscape Theory from Dragon-Carving and the Literary Mind and Twenty-Four Modes of Poetry

魏晋南北朝时期,刘勰在《文心雕龙》的《物色》篇中对情和景在文学写作中的关系进行了系统性的探讨,后世诗人写作景物之诗常以此篇中的理论为指导。唐代的司空图也受到了《文心雕龙》物色观的影响,在其诗学理论著作《二十四诗品》中以韵语写景的方式来对各种文学作品的风格进行品评。文章主要从《文心雕龙》中物色理论的内涵和《二十四诗品》中物色思想的呈现两方面进行分析,进而梳理出物色观理论从《文心雕龙》到《二十四诗品》的发展脉络。

During the Wei and Jin,Southern and Northern dynasties,the relationship between emotion and scene in literary writing was explored by Liu Xie in Chapter 46“The Forms of the Natural World”in Dragon-Carving and The Literary Mind which has often been an ideological guidance to the writing of landscape poems by later poets including Sikong Tu in the Tang dynasty,the author of Twenty-Four Modes of Poetry,which comments on literary works of various styles in verse.The paper mainly analyzes the connotation of landscape theory in Dragon-Carving and the Literary Mind and the presentation of landscape theory in Twenty-Four Modes of Poetry so as to discuss the development of landscape theory from Dragon-Carving and the Literary Mind to Twenty-Four Modes of Poetry.