摘要
“民族形式”论争前后,郭沫若积极探寻民族文艺形式的构建,他引用毛泽东关于马克思主义中国化的理论基础,在尊重文学本体性的基础上,讲求中国文艺形式与内容的统一,对中国文艺进行民族性的思考,以期建立具有中国作风与中国气派的文艺形式。郭沫若在“民族形式”讨论中的理论贡献,对当代文化建设仍具有重要的指导意义。
Before and after the debate on the“national form”,Guo Moruo actively explored the construction of national literature and art form.He quoted Mao Zedong’s theoretical basis on the Sinicization of Marxism.On the basis of respecting literary ontology,he stressed the unity of Chinese literature and art form and content,and thought about the nationality of Chinese literature and art,in order to establish a literature and art form with Chinese style.His theoretical contribution to the discussion of“national form”is still of great guiding significance to the construction of contemporary culture.
作者
张宁
ZHANG Ning(Longdong University,Xifeng 745000,China)
出处
《哈尔滨学院学报》
2021年第6期89-92,共4页
Journal of Harbin University
基金
四川省教育厅人文社会科学(郭沫若研究中心)青年资助项目,项目编号:GY2019C06。
关键词
郭沫若
民族形式
理论贡献
Guo Moruo
the national form
theoretical contribution