论《典仪》的“现象身体”与文化转型

On“Phenomenological Body”and Cultural Transition in Ceremony

美国本土裔女作家莱斯利·马蒙·西尔科的代表作《典仪》初版于20世纪70年代,学界的主流评价关注小说的理性逻辑却忽视了文本感性经验的内涵。《典仪》的创作主题呼应了上世纪70年代人文科学理论界的身体转向,质疑根植于二元对立思维模式的现代理性危机,以身体的边界经验作为创伤复原的手段与策略,建构感性与意识结合的身体主体,旨在回归身体与世界共有共存的始源一致性,指向具有生成意义的文化转型。

The mainstream scholarly concern in Ceremony,published in 1970s by Silko,focuses on a logic of rationality rather than the connotation of textual sensibility.Responding to a body turn in the theoretical field of humanities,Ceremony critiques a rational crisis rooted in the thinking mode of binary opposition,applies the boundary experience of body as a remedy to trauma and constructs body subjectivity of both sensibility and consciousness.Thus,the writing aims at a return to coexistent homogeneity of body and the world as well as a process of becoming and cultural transition.