摘要
从生态符号学研究自然文学,可以发现其自然描写的意义不只是资料功能性的展示,还是借助语词的概念化来构成即刻性的语境。文本内的可视性描写使得其视觉叙事产生了强烈的即刻性表意,符号域中“象”的多种可能性变体进而促成了一种现象之知。自然描写的述行性在传达其生态旨向的同时,还通过追溯“自然”的原初性意义,反思了自然描写中存在与生成之间的同构关系。
An eco-semiotic reading of nature literature shows that nature depiction does not function for material-showing,but for immediate context-constructing by means of the conceptualization of words.Visual depiction in the text creates strong immediate signification in visual narration,and possible variants of image in the domain of symbols leads to the production of phenomenal knowledge.The performativity of nature depiction conveys the ecological meaning,and at the same time rethinks the co-constructing relationships between existence and becoming in nature depiction through retracing the original meaning of“nature”.
出处
《南京师范大学文学院学报》
2021年第2期94-102,共9页
Journal of School of Chinese Language and Culture Nanjing Normal University
基金
河南省社科规划项目“美国20世纪自然文学的生态符号学研究”(2020BWX023)
河南省高校人文社会科学研究一般项目“美国自然文学的生态符号学研究”(2021-ZZJH-376)。
关键词
自然文学
象
生态符号学
nature literature
image
eco-semiotics
