“病毒电影”的类型经验与文化逻辑

Typological Experience and Cultural Logic of“Virus Films”

表现流行性传染病的爆发、传播和影响的“病毒电影”,因其与现实生活的强烈关联性在近期引起了广泛关注和讨论。“病毒电影”突出表现了作为“超级传播体”的病毒的传播特性和破坏力,形成了其独特的灾难修辞方式,体现了一种对风险社会的集体性焦虑,并且通过隔离和防疫等应对措施重置了人际距离和社会秩序,表达了对人类中心主义的反思以及对人类未来命运的忧思。

The“Virus film”which focus on the burst,spreading and impact of infectious diseases has attracted broad concern and discussion recently for its strong relevance to real life.“Virus film”shows the dissemination characteristic and destructive power of virus as the“super spreader”,formed its unique disaster rhetoric and reveals the groups anxiety about a“risk society”.It also resets the interpersonal distance and social order via the prevention measures such as quarantine,insulation and so on,expressed profound retrospection on anthropocentrism and the worry for the destiny of human beings.