摘要
汉武帝时期制作的《郊祀歌》有着明确的现实政治目的。他大力推尊祭祀太一神,降格五帝神的举措,实质上是以人间天子比附太一神,以臣子象征五帝神的统治思想的神学化处理。汉武帝借助这一神学化手段,不仅确认了其天子身份合法性,而且也增强了臣子对其帝王身份的认同感。在当时的政治环境下,汉武帝巧妙地实现了自己巩固天子地位,推尊皇权,提高中央政府对地方的绝对领导权,巩固中央集权的现实政治目的。
Produced during the Emperor Wudi of the Han Dynasty,Suburban Sacrifice Songs had a clear realistic political purpose.He vigorously promoted Taiyi God and degraded the Five Emperor Gods.In essence,he regarded the emperor as Taiyi God and his officials as the Five Emperor Gods.With the help of this theologized approach,the Emperor Wudi of the Han Dynasty not only confirmed the legitimacy of his identity as the emperor but also enhanced his officials’sense of identifying him as the emperor.Under the political environment at that time,the Emperor Wudi of the Han Dynasty cleverly realized his realistic political purpose of consolidating his position,promoting the imperial power,improving the absolute leadership of the central government over the local governments and consolidating his centralism.
作者
段永升
DUAN Yong-sheng(School of Literature and Communication, Xianyang Normal University, Xianyang 712000, China)
出处
《唐都学刊》
2021年第3期71-77,共7页
Tangdu Journal
基金
2013年度国家社科基金重大项目:“中外《史记》文学研究资料整理与研究”(13&ZD111)
陕西省教育厅专项科研计划项目:“西汉帝陵与陕西旅游文化发展研究”(17JK0814)。
关键词
西汉
《郊祀歌》
国家祭祀仪式
身份认同
the Western Han Dynasty
Suburban Sacrifice Songs
national sacrifice and ceremony
identification
