《憩园》接受的三个视阈

On the Three Acceptance Perspectives of Leisure Garden

《憩园》作为巴金20世纪40年代最重要的小说作品之一,在对家庭生活的反思上承继了《激流》系列的精神启蒙,但也因作者对人生和家庭问题的思想转变,启蒙的内核出现了一定变异。在《憩园》里巴金不再热情激昂地批判封建旧家,转而以一种温情和悲悯对小说中的人物报以无差别的人道主义关怀。不同于巴金在其他作品中采用的单线结构,作者在《憩园》的叙事中采用了多线并进的手法,在较短的篇幅中包含了繁复的内容,形成了其复调品格。因此启蒙的承继与变异、人道主义精神和复调品格就成了讨论《憩园》接受绕不开的三个接受视阈。

As one of Ba Jin's most significant novels in the 1940s,Leisure Garden inherits the spiritual enlightenment of Torrent Trilogy in the self-examination of family life.However,due to the changes of the author's thoughts on life and family problems,the essence of enlightenment has changed a bit.In Leisure Garden,Ba Jin no longer criticized the feudal family passionately,but gave the characters undifferentiated humanitarian care with tenderness and compassion.Different from the single line structure in his other works,he adopted a multi-line approach in his narrative of Leisure Garden,which contained complex contents in a short space,thus forming its polyphonic quality and style.Therefore,the inheritance and change of enlightenment,the humanitarianism and the polyphonic quality and style has become the three acceptance perspectives unavoidable in the discussion of the acceptance of Leisure Garden.