论中国古代文论中的感哀传统

Sentimental Tradition in Ancient Chinese Literary Theory

为分析总结中国文论中存在着的感哀传统,将感哀分为创作者的感哀和接受者的感哀。感哀是创作者和接受者共同的心理诉求、价值标准和审美目标,创作者敏于、频于、易于感哀,接受者善于、乐于、好于感哀,在创作者和接受者的合力下,感哀传统才得以形成。因此,感哀可以分为两个方面,分别是感物而哀和感心而哀,最后提炼出感哀在文学中的三个作用。

In order to analyze and summarize the traditional sense of sadness in Chinese literary theory,the author divides feeling sadness into the creator’s and the receiver’s feeling.The sense of sadness is the common psychological appeal,value standard and aesthetic goal of the creator and the receiver.The creator is sensitive,frequent and easy to feel sad.The receiver is good at,happy to feel sadness.Under the joint efforts of the creator and the receiver,the traditional feeling of sadness can be formed.Therefore,feeling sorrow can be divided into two aspects,namely,sorrow of feeling things and sorrow of feeling heart.Finally,this paper extracts three functions of feeling sorrow in literature.