论我国西洋弦乐作品中的民族化和声技法

Harmony Nationalization Techniques in Chinese Western String Music

中国作曲家对和声技法的民族化探索,是其探寻本土风格、彰显民族审美意蕴的重要手段之一。从我国20世纪西洋弦乐作品入手,以民族化和声创作手法为立足点,对其色彩性、五声纵合化、特殊音响模仿、特性音调组合、线性结构等五种较为多见的代表性和声方法逐一加以归纳与分析,以期对推进中国西洋弦乐创作提供可资借鉴的经验。

Chinese composers have explored the harmony nationalization technique as one of the important means to present the native style and to reveal the national aesthetic implication.This paper has traced back the study of Western string music in the 20th century in China to summarize and analyze the five commonly seen typical harmony techniques in terms of its color expressions,pentatonic syncretism,particular sound imitation,characteristic tone combination and linear structure,in an effort to provide some referential experience for the push of the creation of Western string music in China.