俄罗斯后现代主义文学中圣愚形象的传承与嬗变——以《从莫斯科到佩图什基》为例

The Inheritance and Transmutation of Holy Fool Images in Russian Postmodernist Literature--A Case Study of From Moscow to Petushsky

自俄罗斯接受东正教洗礼后,圣愚(юродивый)和对圣愚的崇拜现象便在民间盛行。圣愚形象出现在19世纪俄国作家笔下,成为俄罗斯的文化符号。俄罗斯后现代主义文学伴随着20世纪末东正教热潮的回归,圣愚再次引入到文学创作之中。以俄罗斯后现代主义代表作——叶罗费耶夫的《从莫斯科到佩图什基》为例,采用对比分析、印证法和分类法等,分析后现代主义语境下的圣愚形象:作品不仅对先例文本中的传统圣愚元素加以继承,同时获得了新内涵和新特征。

Ever since Russia received the baptism of the Eastern Orthodox Church,the phenomenon of worshiping Holy Fool has been prevalent in the public.The image of Holy Fool,appearing under the Russian writers in the 19th century,has become a cultural symbol of Russia.With the return of the upsurge of the Eastern Orthodox Church at the end of the 20th century,Holy Fool is introduced into the literature creation again.Yerofeyev’s From Moscow to Petushsky,a representative work of Russian postmodernism,analyzes the image of Holy Foolish in the context of postmodernism by means of comparative analysis,confirmation and classification.The work not only inherits the traditional elements of Holy Fool in the previous text,but also acquires new connotations and new features.