摘要
当代日本著名作家高野和明酝酿十年之久的超级科幻巨作《人类灭绝》,营构了不同文明视域下、相似性伦理环境下人类主体的伦理诉求。本文运用叙事学和文学伦理学相结合的方法,考察新人类与现代人类的伦理选择、伦理现场中逐渐被淡忘的历史记忆以及伦理秩序建构的过程,揭示人类命运共同体宏大叙事建构中体现出的叙事伦理多元化倾向。高野借用乌托邦式文明的形塑,批判了现代人类的悖德意识,以还原历史真相的手法凸显出反战的伦理立场。"新人类"的人性之善,与人类命运共同体的建构互为表征,共同勾勒出人类的一体性中熠熠生辉的人性光芒,作品的道德指引和道德教诲价值得到良好诠释。
Genocide,written by the contemporary Japanese writer Takano Kazuaki,is a science-fiction masterpiece.It addresses the ethical demands of the human in the context of different civilizations with similar ethical environments.Through the lens of ethical literary criticism,this article examines the ethical choices of the new human and the modern human,historical memories in the ethical scene and the process of establishing an ethical order.The article reveals the diverse tendencies of narrative ethics embodied in the novel’s narration.Takano criticizes the immoral consciousness of modern humanity by appealing to utopia,and his restoration of historical truth reflects his ethical anti-war stance.The goodness of a"new humanity"in this novel,along with their construction of a human community with a shared future,constitutes the moral guidance and instructive value of the work.
作者
陈世华
李红
Chen Shihua;Li Hong(School of Foreign Languages and Literature,Nanjing TECH University,Nanjing 211816,China)
出处
《当代外国文学》
CSSCI
北大核心
2021年第2期84-90,共7页
Contemporary Foreign Literature
基金
江苏省研究生科研与实践创新计划项目“日本当代科幻文学中的命运共同体研究”(KYCX20_1048)
江苏高校哲学社会科学研究重大项目“日本‘海洋文学’及海洋教育研究”(2020SJZDA022)
江苏省社会科学基金项目“日本疫情题材文学创作衍变与记忆研究”(20WWD005)的阶段性成果。