论《山海情》对延安文艺精神的承传与创新

On the Inheritance and Innovation of Yan’an Spirit of Literature and Art in Minning Town

《山海情》是一部以"脱贫"为主题的电视剧,热播后引起广泛热议。人们多关注的是该剧与现实生活乃至政治经济方面的关联,却容易忽视该剧在文艺发展历史上的承传与创新。尤其是该剧对"初心"和"民心"的彰显,恰是延安文艺精神"人民性"的具体体现;劳动叙事、创业范式、集体创作、艰苦奋斗及南泥湾精神等也都内蕴其中。在这些积极而又内敛的承传基础上的艺术创新更能彰显其重构、磨合、创化的时代特征和艺术魅力。"大现代"视域中的乡土中国故事中有两个激动人心的宏大主题,一个是"翻身解放",一个是"普遍脱贫"。承传着"翻身解放"而来的"普遍脱贫"无疑是一场关乎人民幸福、国家兴衰的伟大"革命",生动地显示了中国故事本身的独特性和深刻性。该剧展示了中国人民艰难创业、奋斗不已的现代化进程,其感人叙事或镜像中的新题材、新主题、新人物等,都可圈可点,少有概念化痕迹,总体看是一部具有历史、现实及审美意义的新时代"创业史"。

The "original aspiration" and "people’s will" in Minning Town are the concrete embodiment of the affinity to the people in Yan’an spirit of literary and art, and also have full artistic expression in the play.This play shows the Chinese people’s hard work and struggle in the process of modernization. The new themes, characters and the artistry of this play are very prominent. In a word, it reflects the history of entrepreneurship in the new era with historical, realistic and aesthetic significance.