藏彝走廊、茶马古道与南方丝绸之路--田联韬与学生们的川滇黔藏缅语族音乐文化研究

Tibetan-Yi Corridor, Ancient Tea Horse Road and Southern Silk Road: Tian Liantao and His students’ Research on Music and Culture of the Tibetan and Burmese Language Groups in Sichuan, Yunnan and Guizhou Provinces

川滇黔是中国西南少数民族文化的腹心区域,也是藏彝走廊多族群文化交汇之处。在田联韬先生的开拓和引领下,三代学人对藏彝走廊、茶马古道和南方丝绸之路音乐文化的分布格局进行了学术观照,展现了多点民族志视野并兼具“民族区域音乐板块”和“历史音乐文化走廊”研究的特征。由此,从音乐文化的广泛采集,到音乐形态分析、历史文化阐释、方法思维解读的多模态研究;从定点个案研究,到汇聚为整体的、多点的“通道”研究;廊道交错、圈层互生不仅成为西南地区少数民族音乐文化特色,也铸就了川滇黔藏缅语族音乐研究的学术性格局。

Sichuan, Yunnan and Guizhou is the hinterland of ethnic minority culture in Southwest China, and also is an intersection of multi-ethnic cultures in the Tibetan-Yi Corridor. Under the guidance of Mr. Tian Liantao, three generations of scholars have made academic observation on the distribution pattern of music and culture along the Tibetan-Yi Corridor, the Ancient Tea Horse Road and the Southern Silk Road. In doing so, it showed a multi-sited ethnographic perspective and the characteristics of "ethnic regional music plate" and "historical music and culture corridor". It creates a multi-modal research which is from extensive collection of music and culture to music form analysis, historical and cultural interpretation, and interpretation of method and thinking;from fixed case study to wholistic and multi-sited "passage" study. The interlaced corridors and circle systems have not only become characteristics of ethnic minorities’ music and culture in Southwest China, but also has created academic character of the music research on Sichuan, Yunnan, Guizhou’s Tibetan and Burmese language groups.