清代艺术风格类型理论形态

Theoretical Forms of the Artistic Style Genres in the Qing Dynasty

清代是中国古代艺术理论批评的总结时期,复古思潮下理论家对“风格”问题的认识与思考愈加广泛深刻。尤其是针对艺术风格类型划分的理论探讨,在诗、文、词、书、画、乐、曲等批评领域普遍存在,既有对前代风格类型理论的直接承继,也有对经典风格类型理论框架的效仿衍生,还有风格类型理论的创新发展。清代艺术风格类型理论形态,饱含清人对传统的承继与筛选,对缺憾的指摘与修正,以及对理论的反思与开拓,风格类型理论之间相互吸收借鉴、融汇互通的理论思维,对当前艺术学学科基础理论体系建构具有一定的启示作用与参考价值。

The Qing Dynasty is a concluding period of Chinese ancient art theory studies as the theorists developed deep understanding and thinking of "style" in the vintage trend. In particular, theoretical discussion of the classification of artistic style genre existed widely in the fields of poem, literature, lyrics, calligraphy, painting, music and songs. Some of these discussions inherited previous theories of style genre and some of them imitated theoretical frame of classical style genre, furthermore, some showed innovative development of the theories of style genre. The theoretical forms of artistic style genre in the Qing Dynasty was full of the inheritance, selection, edit and correction of tradition by the people in the Qing Dynasty, as well as rethought and extension of theories, mutual absorption among different theories of style genres, exchange of theoretical thoughts. All of these are beneficial to the current theoretical construction of the basic theoretical frame of the subject of art studies.