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中华人民共和国美术史中的现代北京形象--以天安门广场为中心

The Image of Modern Beijing in the Art Historyof the People's Republic of China:;Taking Tiananmen Square as the Center
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摘要 北京作为中华人民共和国的首都,承载着中国的历史与文化,展现着中国经济发展、科技进步、文化创新的活力。天安门广场是中华人民共和国成立后的重大聚会场所,天安门城楼因此成为中华人民共和国的象征。随着中华人民共和国的成立和发展,北京的视觉形象在美术作品中也不断发生着变化,其中关于天安门城楼或以天安门城楼为核心的天安门广场的美术作品,展现了中华民族追求民族独立与国家富强的历史进程。一部以天安门广场为中心的美术史,同时是一部见证中国百年历程的文化史、思想史与政治革命史,它凝结着一个世纪以来中华民族奋斗不屈的艰苦历程,展现了中国共产党领导全国各族人民在革命与建设中经历的血与火的洗礼。从天安门广场国家认同、民族整一、图式创生和价值反思几个层面出发,对中华人民共和国美术史中的北京形象塑造进行分析,可以以此回顾党史、中华人民共和国史、改革开放史和社会主义发展史。 As the capital of the People’s Republic of China, Beijing carries the history and culture of China and shows the vitality of China’s economic development, scientific and technological progress and cultural innovation. Tiananmen Square is a major gathering place after the founding of the People’s Republic of China, so Tiananmen Tower has become a symbol of the People’s Republic of China. With the founding and development of the People’s Republic of China, the visual image of Beijing has also been constantly changing in art works, including the art works of Tiananmen Square which concern Tiananmen Tower or Tiananmen Tower as the core. It shows the historical process of the Chinese nation’s pursuit for national independence and national prosperity. An art history centered on Tiananmen Square, as well as a history of cultural history, ideological history and political revolution that witnessed China’s century-old course, not only condenses the arduous course of the Chinese nation’s struggle for a century, but also shows the baptism of blood and fire experienced by the Communist Party of China while leading the people of all ethnic groups in the revolution and construction. From the aspects of Tiananmen Square national identity, national unity, schema creation and value reflection, this paper analyzes the image shaping of Beijing in the art history of the People’s Republic of China, and reviews the history of the Party, the history of the People’s Republic of China, the history of the Reform and Opening up and the history of socialist development.
作者 赵成清 Zhao Chengqing(student supervisor at the Schoolof Arts,Sichuan University,Chengdu,Sichuan,610207)
出处 《民族艺术研究》 CSSCI 2021年第3期104-113,共10页 Ethnic Art Studies
关键词 中华人民共和国美术 天安门广场 北京图像 国家认同 民族复兴 fine arts of the People’s Republic of China Tiananmen Square the image of Beijing national identity national rejuvenation
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