重复·模仿·戏仿·倒置——中西喜剧精神的主要生成手法之比较

Repeat,Imitation,Parody,Inversion:A Comparison of the Main Generative Methods of Comic Spirit Between China and the Wes

基于喜剧理论传统与喜剧艺术发展史,比较重复、模仿、戏仿与倒置等中西喜剧精神的主要生成手法,以此反观中国当代娱乐文化的娱乐精神的生成机制,是理解与把握中国当代娱乐文化的基本特性的有效路径。中国当代娱乐文化中不乏借鉴运用重复、模仿、戏仿与倒置等手法,推出喜剧艺术精品的范例,但新世纪部分娱乐文化更多地倾向于单纯的重复、无意义的模仿、主观随意的戏仿以及盲目过度的倒置,使得其在情节推动、性格塑造以及喜剧氛围的营造等方面显得极为羸弱与牵强,需要从深层学理上进行剖析与检视。

Based on the comedy theory tradition and the development history of comedy art,this paper compares the main generative methods of comic spirit,such as repetition,imitation,parody and inversion,so as to review the basic characteristics of entertainment spirit of contemporary Chinese entertainment culture,which is an effective way to understand and grasp the basic characteristics of Chinese contemporary entertainment culture.There is no lack of Chinese contemporary entertainment culture to draw lessons from the use of repetition,imitation,parody and inversion to launch the excellent comic art.However,some entertainment culture tends to be simple repetition,meaningless imitation,subjective random parody and blind excessive inversion,which makes them extremely weak and far fetched in plot promotion,character shaping and comic atmosphere building.This needs to be analyzed and examined from the deep theory.