世界文学视域下的中国革命书写--以马尔罗和横光利一为中心

The Writing of Chinese Revolution from the Perspective of World Literature:Focusing on Malraux&Yokomitsu Riichi

近代上海作为中国开埠最早的城市,吸引着世界资本不断汇集,成为各种先进文化思想的交融共生之地。在世界性革命运动推动下,上海成为东亚革命的中心。在这样的文化语境下,日本新感觉派代表作家横光利一带着强烈的好奇心开启他的中国之旅,并于1932年发表以这座城市命名的作品《上海》。与此同时,法国作家安德烈.马尔罗也以中国革命运动为题材,在1933年发表其成名作《人的命运》。本文通过对两部作品的互文性比较研究,揭示出世界主义视域中的中国革命,如何通过域外作家的文化想象完成其.“跨文化旅行”,展现在世界舞台上。

As the earliest port city in China,Shanghai attracted the capital of the world and became a place where all kinds of advanced culture and ideas mingled.At the same time,under the impetus of the world revolution movement,Shanghai became the center of the East Asian revolution.It is in such a cultural context that Yokomitsu Riichi,the representative writer of the Japanese New Sensation School,began his journey to China with strong curiosity,and published his work named Shanghai in 1932.At the same time,French writer André Malraux also published his famous work The Destiny of Man with the theme of China’s revolutionary movement in 1933.Through the comparative study of the intertextuality of the two works,this article reveals how the Chinese revolution in the field of cosmopolitanism can complete its "cross-cultural travel" and then show it on the world stage,through the cultural imagination of foreign writers.