符号学视阈下徽州古民居中堂装饰研究

On the Central Hall Decoration of Huizhou Ancient Residential Buildings from the Perspective of Semiotics

作为明清时期徽州古民居厅堂装饰的一大特征,中堂装饰是一种独特的形式文化,更是承载着特定社会意义的物化载体。从皮尔斯符号学视角分析,中堂装饰是由众多符号个体组成的符号文本,通过符号、对象与其各自意指的研究,可得出徽州中堂装饰在总体上是一种规约符,是徽州古人崇儒尚文、伦理教化、求吉纳福的媒介和载体。

As a major feature of the hall decoration of huizhou ancient dwellings in the Ming and Qing Dynasties,the central hall decoration is a unique form of culture and a materialized carrier of specific social significance.Thus,from the perspective of Peirce’s semiotics,it is analyzed that the central hall decoration is a symbolic text composed of many symbols.Through the study of symbols,objects and their respective meanings,it can be concluded that the central hall decoration in Huizhou is a kind of symbol on the whole and a medium and carrier for the ancient Huizhou people to worship Confucianism and worship literature,civilize ethics and seek blessings.