摘要
纪录片《乡村里的中国》基于乡土景观,结合人物叙事和自然审美,通过平实、真切的时间流记事来突破性别、政治和空间等阈限,展现民风民俗、伦理秩序及乡土记忆等主题。纪录片观照民间社会和未来愿景,在美学表达和人文关怀等层面都折射出了理性的光芒,民间的日常生活和信仰世界在现代化生产、生活方式的介入下也焕发了别样的魅力,并由此引发了我们对于现实和未来的深沉思考。关注人的个体存在和底层人物的精神生态应当成为当今中国纪录片创作的一种内在路径,只有站在民生的立场重新发现和审视中国,才能为未来的发展提供更多的可能性。
Based on the local landscape,the documentary Village Diary shows the themes of folk customs,ethical order and local memory,combined with character narration and natural aesthetics,breaking through the threshold of gender,politics and space with plain and real record.Documentaries reflect civil society and future vision,embodying rationality in aesthetic expression and humanistic care.The daily life and people’s believes reveal different charms under modern production and lifestyle,which leads us to think deeply about reality and future.Showing concern on the individual existence of human beings and the spiritual ecology of the people at the bottom should become an internal way of documentary creation in China today.Only by rediscovering and examining China from the standpoint of people's livelihood can we provide more possibilities for future development.
作者
陈佳慧
CHEN Jia-hui(School of Chinese Language and Literature,Henan University,Kaifeng 475001,China)
出处
《湖北工业职业技术学院学报》
2021年第3期47-52,共6页
Journal of Hubei Industrial Polytechnic