摘要
Dinh Thi Nguyen,Director of the Hanoi Academy of Theatre and Cinema,introduces his theory of Internationalisation in Vietnamese theatre.He suggests that traditional performance forms are always being intermingled with foreign performance forms,with intercultural mixing of forms creating“internationalisation”.In this paper the development of Vietnamese theatre forms are examined through the lens of internationalisation.Starting with Cheo and Tuong,this paper follows the ways in which adaptations and absorption of introduced forms of theatre have shaped traditional forms developing into the contemporary theatre practices seen today in modern Vietnam.
