白色神话:长沙当代公共文化建筑的“现代性”读解——以梅溪湖国际文化艺术中心及谢子龙影像艺术馆为例

White Mythologies,An Interpretation of"Modernity"of Contemporary Public Cultural Architecture in Changsha:Taking Meixi Lake International Culture Art Center and Xie Zilong Photography Museum as Examples

"白色神话"是城市建筑中一个多义的隐喻,一个批判与反思的对象。本文通过对梅溪湖国际文化艺术中心及谢子龙影像艺术馆的批判性读解来呈现长沙当代公共文化建筑的"现代性"特征。西方现代性的局限源于对"意义"的迷恋,远离了城市生活本身。本文借助"意识、语言学、意义、自治性"等语词的讨论,探讨信息时代下城市建筑"现代性"重塑和拓展的可能性。

"White mythologies"is a polysemous metaphor in city and architecture and an object of criticism and reflection.This paper presents the"modernity"characteristics of contemporary public cultural architectures in Changsha through a critical interpretation of Meixi Lake International Culture Art Center and Xie Zilong Photography Museum.The limitation of western modernity comes from the obsession with"meaning".As a result,the modernity of western architecture is far away from the urban life itself.With the help of the discussion of the words"consciousness,linguistics,meaning and autonomy",this paper probes into the possibility of reshaping and expanding the"modernity"of urban architectures in the information age.