高加林与高家村:《人生》中的价值焦虑与精神困惑

Gao Jialin and Gaojiacun Village:Value Choice Anxiety and Spiritual Confusion in Life

中篇小说《人生》发表后,由路遥亲自改编的剧本经吴天明导演拍摄为同名电影上映,叙述主体从小说到电影由"高加林"个人转变为"高家村"村庄共同体。个人主体到空间主体的不自觉置换,使得高加林对高家村从精神疏离倾向于情感认同。路遥对高加林之于高家村态度的暧昧犹豫和吴天明对乡土社会的深情怀恋,通过不同的艺术载体,共同剥离出高加林与高家村的深层隐喻——农村知识青年与土地(乡土社会)之关系。对这一现实难题的表达体现出一代人面对文化冲击、现代与传统相矛盾之时的价值选择焦虑和精神困惑。

After the publication of the novella Life,the script adapted by Lu Yao himself was filmed by Wu Tianming as a film of the same name,and the narrative subject changed from"Gao Jialin"to"Gaojiacun"village community.The unconscious replacement from individual subject to spatial subject makes Gao Jialin tend to identify with Gaojiacun village from spiritual alienation.Lu Yao’s ambiguous and hesitant attitude towards Gao JiaLin and Wu Tianming’s deep nostalgia for the local society,through different artistic carriers,jointly peel off the deep metaphor of Gao JiaLin and Gaojiacun--the relationship between rural educated youth and land(local society).The expression of this practical problem reflects the anxiety and spiritual confusion of a generation in the face of cultural shock and the contradiction between modernity and tradition.