摘要
结合音乐剧《新华报童》制作沉浸声需求,解析沉浸声系统构成,沉浸声制作的思路和实施方案,对比沉浸声制作与立体声制作的差异。
Based on the requirements of immersive sound production of the musical Xinhua Baotong,the composition of immersive sound system,the idea and implementation plan of immersive sound production are analyzed,and the differences between immersive sound production and stereo sound production are compared.
作者
马文钊
MA Wen-zhao(Beijing Tianyun Starlight Culture and Art Co.,LTD,Beijing 100000,China)
出处
《演艺科技》
2021年第6期18-24,共7页
Entertainment Technology
