摘要
本文对艺术家兼策展人阿曼达·克鲁格利亚克(Amanda Krugliak)、摄影师兼艺术家理查德·巴恩斯(Richard Barnes)与人类学家杰森·德莱昂(Jason deLeón)合作的展览《例外状态》(state of Exception)的发展和演变进行了深入探讨。该展览展出了移民在美国和墨西哥边境亚利桑那沙漠留下的物品,如背包、衣服和个人物品。《例外状态》通过精心的策划和收录的视频以及音频材料为正在进行的、经常有争议的关于秘密越境的对话增添了独特和亲密的视角。
This essay provides an in-depth look into the development and evolution of the exhibition State of Exception,created by artist and curator Amanda Krugliak and photographer and artist Richard Barnes,in collaboration with anthropologist Jason de León.The exhibition features items left behind by migrants in the Arizona desert on the U.S.-Mexican border,such as backpacks,clothing,and personal items.Through careful curation and the inclusion of video and sound materials,State of Exception adds a unique and intimate perspective to ongoing and often contentious conversations about clandestine border crossings.
作者
(美国)阿曼达·克鲁格利亚克
理查德·巴恩斯(著)
常静(译)
祁晓庆(校)
Amanda Krugliak;Richard Barnes;Trans.Chang;Qi Xiaoqing(U.S.The University of Michigan,48109;Inner Mongolia art college,Hohhot,Inner Mongolia 010010;Dunhuang Research Academy,Dunhuang 736200)
出处
《内蒙古艺术学院学报》
2021年第2期41-45,共5页
Journal of Inner Mongolia Arts University
关键词
美墨边境
亚利桑那沙漠
无证移民
例外状态
人类学与艺术
U.S.-Mexico Border
Arizona Desert
Undocumented Migration
State of Exception
Anthropology and Art