“多元一体”民族格局与蒙汉音乐交流(上)——试论蒙汉民歌中的同宗曲调与同类曲调

Mongolian-Han Musical Exchange in the Background of the Integrated Multi-national Pattern(Part One)-Studies on Melodies of the Same Clan and of the Same Type in Mongolian and Han Folk Songs

论文通过比较研究22首民歌谱例,寻找出蒙古族、汉族、匈牙利民歌中存在的同宗曲调。指出音乐形态方面的共同点,排列出同宗曲调的谱系关系,以及音乐审美方面的内在联系。作者总结出同宗民歌曲调流播嬗变的三点结论:同源分流,超越时空、“和而不同”,美美与共、变中守恒,不离其宗,比较音乐学研究方面有所创见,填补了一项学术空白。

Using twenty folk songs in Mongolian,Han and Hungary cultures as samples,this paper aims to analyze commonly shared qualities in their music performances,find out and line out the family tree for their melodies from the same clan,and finally show their internal connections in musical aesthetics.Through these studies,the writer concludes that the melodies of the twenty folk songs develop into their unique aesthetic existence through history from a shared core melody and live in harmony with each other regardless of a difference in time and space.These studies narrow some gap in comparative musical studies.