摘要
新世纪以来,美术界出现了一系列重大主题性美术创作工程,诸如"国家重大历史题材美术创作工程""中华文明重大历史题材美术创作工程""建党100周年重大主题创作工程"等,由此可见,重大主题性创作成为美术界创作的自觉导向。然而,综观一系列主题性创作,基本上聚焦于人物画,很少或者还没有对主题性山水画创作做系统的研究与深入的思考。以第十三届全国美展山水画为例,对当代主题性山水画创作进行观察和分析,归纳出以新景物揭示主题、以建筑标志提炼主题、以人物点亮主题、以诗意统领主题四种创作途径,以深化中国山水画景致内涵。
Since the beginning of the new century,a series of major theme art creation projects have appeared in the art circle,such as "national major historical theme art creation projects","major historical theme art creation projects of Chinese civilization","major theme art creation projects of the 100th anniversary of the founding of the Communist Party"and so on.Thus it can be seen that the major thematic creation has become the conscious orientation of the art circle.However,a comprehensive view of a series of thematic creation,basically focused on figure painting,little or no thematic landscape painting creation to do a systematic study and in-depth thinking.Taking the landscape painting of the 13th National Fine Arts Exhibition as an example,this paper makes a detailed observation and rigorous analysis on the creation of contemporary thematic landscape painting,and summarizes four creative perspectives,namely,revealing the theme with new scenery,refining the theme with architectural signs,illuminating the theme with characters,and leading the theme with poetry,so as to deepen the connotation of Chinese landscape.
作者
董水荣
DONG Shui-rong(Academy of Culture and Art,Jiangsu Province,Nanjing,Jiangsu,210005)
出处
《艺术百家》
CSSCI
北大核心
2021年第3期123-128,共6页
Hundred Schools In Arts
关键词
当代
主题性
山水画创作
全国美展
Contemporary
Thematic
Landscape Painting Creation
National Exhibition Fin Arts of China