摘要
佛山剪纸是我国首批列入非物质文化遗产名录的文化瑰宝,其传统的艺术形态蕴含着大量的佛山历史文化信息。佛山剪纸现处于亟待保护阶段,我们有必要对其进行深入解读,分析其背后的艺术意蕴,有助于佛山剪纸的传承与发展。结合田园调查以及文献梳理,以清代铜凿剪纸《万世师表》为例,深入研究佛山剪纸艺术中的儒家意蕴,进一步为还原其背后真实的造物意象提供理论依据。
Foshan paper cutting is a gem of Chinese culture,which is on the first Unesco’s list of Intangible Cultural Heritage and whose traditional artistic form embodies massive folk cultural information of Foshan.Foshan paper cutting is currently in urgent need of protection and we shall scrutinize this art form and analyze its artistic implications to promote its inheritance and development.This current study,drawing on the integrated approach of field research and literature review and taking copper chisel paper cutting of Wan Shi Shi Biao of the Qing Dynasty as an example,conducts an in-depth analysis of Confucian implications of Foshan paper cutting,thus to provide theoretical motivations for the restoration of the real creation image.
作者
潘卓彤
PAN Zhuotong(School of FineArts and Design,Guangzhou University,Guangzhou,Guangdong 511400,China)
出处
《肇庆学院学报》
2021年第4期64-67,共4页
Journal of Zhaoqing University
关键词
佛山剪纸
儒家美学
万世师表
铜凿剪纸
Foshan paper cutting
Confucian aesthetics
Wan Shi Shi Biao
copper chisel paper cutting