摘要
马克思是经由"生产"来界说美与审美的,在人与自然、人与人这两个关系维度的交互中思考文学及其活动的属性与特征。以艺术生产来阐释文学审美性问题,不仅具有比执着于审美自律的西方现当代文论更为深广的人学内涵、实践维度和历史深度,而且对于我们准确把握当今文艺生产场域的运作现状、建构新时代中国特色文论也有着重要的启发意义。
Marx defined beauty and aesthetics through"production",giving thoughts to the attributes and characteristics of literature and its activities in the interaction of the two dimensions of human and nature,human and human.He explained the aesthetic problems of literature by artistic production,which has more profound human connotation,practical dimension and historical depth than the western modern and contemporary literary theory which is persistent in aesthetic self-discipline.Moreover,it is of great enlightening significance for us to accurately grasp the current situation of the operation of the production field of literature and art and construct the literary theory with Chinese characteristics in the new era.
作者
王丹
赵阳
WANG Dan;ZHAO Yang(College of Liberal Arts,Xinyang Normal University,Xinyang 464000,China)
出处
《广西科技师范学院学报》
2021年第2期21-28,共8页
Journal of Guangxi Science & Technology Normal University
基金
国家社科基金重大招标项目“作为‘艺术生产’的文学批评研究”(17ZDA271)
河南省社科规划项目“马克思艺术生产理论的问题域及其批评场域研究”(2019BWX020)
河南省高等学校青年骨干教师培养计划(2018GGJS100)。
关键词
马克思
艺术生产
文学
审美
Marx
art production
literature
aesthetics
