摘要
匡学飞教授交响组曲《家园——湖北民谣主题组曲》由《上茶山》《哭嫁》《清江河》《嗺咚嗺》《玉兰烟》五个乐章组成。《家园》的素材来源于湖北民歌,但不是湖北民歌原型的简单采用,而是将湖北民间音乐素材与西方作曲技法予以融合。作品表现了传统与现代的结合,亦体现出作曲家中西音乐交融的创作思维。
The symphonic suite Homeland:Suite on Themes of Hubei Folk Songs comprises of five move‐ments,including“Climbing Up Tea Mountain”,“Wedding Lament”,“Qingjiang River”,“Cui Dong Cui”,and“Yulan Mist”.The inspiration of Homeland comes from Hubei folk songs.However,it is not just a simple reproduction of past folk songs.Instead,it combines Hubei folk music with Western composition technique,which renders this work an embodiment of the combination of tradition and modernity also re‐flects the composer’s creative thinking of blending Chinese and Western music.
出处
《黄钟(武汉音乐学院学报)》
北大核心
2021年第1期26-35,165,共11页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
匡学飞
交响组曲
《家园》
创作手法
文化特征
KUANG Xuefei
symphonic suite
Homeland
composition approach
cultural characteristics