“同均三宫”的传统调性空间对中国当代音乐创作的启示

The Inspiration of Traditional Tonal Space in“Tongyun Sangong”to Contemporary Chi‐nese Music Composition

由黄翔鹏首次提出的“同均三宫”理论将中国传统乐学理论研究引入了一个全新的境界。这一理论使得中国传统音乐的调性范围进一步拓宽,也给当代音乐创作提供了更大的调性空间。文章以“同均三宫”理论中的调性思维为对象,探讨其对中国当代音乐创作的影响和启发。

The“Tongyun Sangong”theory(three Chinese traditional Gong-modes sharing on structure of seven-tone scale),proposed for the first time by HUANG Xiangpeng,reveals a totally new perspective for the traditional Chinese music theory.This theory further expands the tonality range of traditional Chinese music and allows greater tonal development potential of contemporary music.This article is intended for the study of the thought of polyphony and aims to discuss its influence on and inspiration to contemporary Chinese music composition.