摘要
作者从演奏家的角度解析了葛甘孺4部风格迥异的键盘独奏作品及其作曲思路。这些作品从时间上横跨了葛甘孺到目前为止的整个创作生涯,风格则从传统涵盖到先锋派,涉及的非常规手法包括琴内技术、特调钢琴、玩具乐器组合的演奏等。这些作品对研究葛先生的创作乃至现代派手法在中国键盘音乐创作中的运用都有着重要意义。
From the perspective of a performer,the author analyzes four keyboard solo works of GE Ganru with different styles and their composing ideas.These pieces span 40 years,covering GE Ganru’s entire ca‐reer to date,and range in style from the relatively traditional composing techniques to avant-garde.These techniques include extended keyboard techniques,prepared piano,toy piano,etc.These pieces are of great significance to the research of Ge’s music and even the application of modernist techniques in the creation of Chinese keyboard music.
出处
《黄钟(武汉音乐学院学报)》
北大核心
2021年第1期145-151,168,共8页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
葛甘孺
钢琴
玩具钢琴
琴内技术
特调钢琴
GE Ganru
piano
toy piano
inside piano technique
prepared piano