摘要
文章从当下莫扎特钢琴作品中装饰音演奏的现实问题出发,对《诠释莫扎特——莫扎特钢琴及其他作品的演奏》一书中关于装饰音演奏的重要观点进行引介与阐释,并针对国内常用的各版本乐谱中不恰当的装饰音记写与翻译、演奏中明显的错误奏法等,进行列举和探讨。作者在指出错误奏法的同时,结合自身的学习、演奏与教学经验,提出了较为妥当的演奏建议。
This article approaches the reality of performance practices on ornamentations in Mozart’s pia‐no works by introducing and interpreting those crucial points of views about ornamentations appears in the book Interpreting Mozart,the Performance of His Piano Pieces and other compositions.It also questions and lists obvious mistakes in performances and some editorial interpretations that are not appropriate and appear in different editions that are available in China.At the same time,the author puts forward proper suggestions based on his personal experiences in performing and teaching.
出处
《黄钟(武汉音乐学院学报)》
北大核心
2021年第1期152-160,164,168,共11页
Huangzhong:Journal of Wuhan Conservatory of Music
基金
2020年度湖北省教育厅科研计划重点项目“莫扎特钢琴作品中装饰音音乐语义阐释与表现”(项目编号:D20202401)研究成果。
关键词
莫扎特
诠释莫扎特
装饰音
钢琴演奏
Mozart
Interpreting Mozart
ornamentation
piano performances