摘要
20世纪以来,噪音侵占城市,收声媒介的发明进一步加速日常生活的声语境异化。基于声态问题,R.M.Schafer~①开创了声景研究,并在其后四十年成就了一套广泛而连贯的知识系统。当代声景理论正经历着从宏观到微观的嬗变。研究尺度从城市下降到建筑,并在身体性的空间着陆。建筑声景以因缘方式隶属于场所与行为,它是发声的事件合集与包纳其所为的物质环境在空间感知上的统一,其研探将于搁置处重启,在声之生产与自我澄明的伏脉中寻求落锚。
Since the 20th century,with the noise occupying the city,the sound receiving media has further accelerated the context alienation of sound.Based on the problem of sound state,R.M.Schafer started the study of soundscape.In contemporary times,soundscape theory is undergoing a change from macro to micro.Architectural Soundscape Theory is the unity of the sound events and the environment in space perception.Its research will be restarted in the place where it is shelved,and will seek the anchor in the latent pulse of sound production and human self clarification.
出处
《建筑与文化》
2021年第7期34-36,共3页
Architecture & Culture
关键词
有声建筑
声景
声空间
听觉文化
sonic architecture
soundscape
space of sound
auditory culture
