敦煌壁画慈悲图像在动画电影中的展现--以鹿符号为例

Display of Metta images from Dunhuang fresco in animated films:taking deer symbol as an illustration

该论文以中国动画影片《九色鹿》和敦煌佛教壁画《鹿王本生》作为主要研究对象,探讨动画影片文本、图像,以及设计诸元与敦煌佛教壁画之间的关系,通过研究佛教壁画图像中鹿符号背后所蕴含的精神世界与价值体系,揭示佛教“慈悲观”是贯穿几代中国电影人始终关心与探讨的核心问题之一,它涉及民族审美价值标准的树立,民族自我认同感的建构等一系列精神世界问题的思考。

The main subject of research in this article is the Chinese animated film?Nine-Color Deer?and the Buddhist fresco from Dunhuang?Jataki about King Deer?.The article studies the content,as well as sources of text and images of the animated film,the relationship between all its elements and the Buddhist fresco in Dunhuang.By studying the deer symbol in Buddhist frescoes and the role of its hidden spiritual meaning in the general value system,we determined that the Buddhist"Metta"is one of the key problems for several generations of Chinese filmmakers.It touches upon the process of establishing national value criteria for aesthetic perception,the formation of feelings of national self-identification,and a number of other mental aspects of the spiritual world.