風濤萬里外,見此昆山玉——蘇軾佚詩《陳大觀園中竹》的東亞流傳與影響

The circulation and influence of Su Shi’s lost poem Chen Daguan Yuan Zhong Zhu in East Asia

蘇軾佚詩《陳大觀園中竹》曾以墨迹詩卷形式流入東瀛,其内容見於日本江户時代文人伊藤東涯筆記《盍簪録》,前此罕見言及。此詩今人所編《全宋詩》《蘇軾全集校注》等皆未收,乃蘇軾佚作。《陳大觀園中竹》詩卷未被中國學界注意,但放眼東亞,該詩被日本和朝鮮文人視作真迹,加以欣賞,催生數首次韻詩作。此一現象有助於認識東坡詩與墨迹及詩歌創作機制的關係。此外,自詩卷的流傳過程,還可管窺日本的蘇軾墨迹收藏傳統及蘇軾崇拜現象。

Su Shi’s lost poem Chen Daguan Yuan Zhong Zhu陳大觀園中竹has come over to Japan as handwriting poetry volume.The content of the volume,which is contained in the note He Zan Lu盍簪録written by Ito Togaia—a scholar of Edo period,was rarely discussed before.The poem can be primarily inferred as a lost poem of Su Shi because it is not included in The Whole Song Poetry全宋詩,Notations of the Completed Works of Su Shi蘇軾全集校注and other related documents.The volume of Chen Da Guan Yuan Zhong Zhu has not been noticed by Chinese scolars,but it was appreciated as a genuine by Japanese and Korean writers in East Asia,which prompts the writers to create several rythme-macthing poems.This phenomenon contributes to the cognition of the relationship between Su Shi’s handwriting work and poem writting mechanism.Furthermore,we can also give a glimpse to the tradition of collecting Su Shi’s handwriting works in Japan by studying the circulation of the poetry volume.