通幽的曲径与极微的延展——《陆犯焉识》“那辗”的叙事策略探析

Secluded Winding Path and Minimal Extension--The Narrative Strategy of“Na Zhan”in Lu Fan Yan Shi

《陆犯焉识》是一部波澜起伏、崎岖坎坷的爱情史诗,它以“那辗”方法谋篇布局。其情节不断被作者纵向拉伸,令爱情之路周回曲折,余味悠长,并于枝节处延展,用极微的手法深入历史褶皱,以家族历史为背景,抒发祖父母之间缠绵悱恻的跨世纪之爱。严歌苓从西方现代思想汲取养分,结合文化经验与艺术想象,内化为独具传统意蕴的“那辗”叙事策略。通过“那辗”手法,塑造一系列“至善至美”的女性形象,其间寄寓着严歌苓对两性秩序重建的期待,对自由主体女性迸发强大生命力与感召力可能性的探索。

Lu Fan Yan Shi is a love epic composed of overlapping waves,rugged twists and turns,it USES“the rolling”method to plan the layout.The plot is constantly stretched vertically by the author,making the road of love around twists and turns,long aftertaste,and extended in the branches,with a very small way into the history of the fold,with the family history as the background,to express the grandparents between the sad love of the century.YAN Geling absorbed nutrients from western modern thought,combined with cultural exper ience and artistic imagination,internalized into a narrative strategy with unique traditional connotations.Through the“Nan Zhan”,a series of female images like“the supreme goodness and the supreme beauty”are created,which embody YAN Geling’s expectation for the reconstruction of gender order and her exploration of the possibility of the strong vitality and appeal of the free female subject.