“女性奥秘”的祛魅——许鞍华后期作品中的女性话语研究

Disenchantment of“Feminine Mystique”——The Study of the Female Discourse of Ann Hui’s Later Works

对于女性题材而言,"大女主戏"的"硬伤"在于过度迎合观众娱乐趣味和猎奇心理。古装、宫斗、仙侠等偶像化包装"异化"了女性的内心世界和生命体验,但从马克思主义女性主义唯物史观的角度来看,并未触及导致这种"异化"的深层社会根源。与当下许多塑造"大女主"类型的剧作不同,许鞍华将镜头聚焦到社会边缘的女性,并通过表现她们的日常生活呈现出一种别样的女性话语。许鞍华从失常的两性关系、刻画"单身老女人"的生存处境以及表现女性所受的不公平对待及其反抗精神等方面对"女性奥秘"论进行了祛魅。

The disadvantage of heroine themes in today’s teleplay is that the excessive cater to audience’s entertainment interest and curiosity toast.The idolization wrapping of female role,such as The Ancient Costume Teleplay,Palace Conflicts Teleplay,Xianxia Teleplay,not only dissimilates the inner world and life experience of female,from the perspective of the feminism of marxism,but don’t touch the deep society roots of the dissimilation.Differentiate from those works,Ann Hui selected the female who at the edge of the society as her heroine,and rendered a kind of different discourse through presented their routine life.The disenchantment of"feminine mystique"is one of important theme in Ann Hui’works,she build this theme from the portray of unnormal sexual relationship,the life of single old lady,the unfair treatment and resistance of female.