藏野于逸 陈淞贤的现代陶艺

Chen Songxian’s Modern Ceramic Art Creation

一、意境的创构艺术意境不是简单的自然的再现和机械式的模写,而是一个境界层面的创构。文人画靠水净化颜色,陶瓷靠火炼出颜色。陶瓷一旦不管实用,色彩之美就跃居第一,若重形状,则失其趣味。《翱》是陈淞贤在上世纪八十年代初(1983年)创作的第一件现代陶艺作品。在这件早期作品中,充斥着逆反的心理,遵循"道动必先反"的思想,虽然采取了对抗的创作模式,但并没有放弃东方艺术的意境底线。借助呈倒三角形的、口部撕裂的锋利造型,以及深重的结晶黑釉抽象的、傲视天下的鹰的雄姿,体现刚和力的意境。这是一件利用有意味的形式展现心象的实验作品。

Since the new century, Chen Songxian has ended his 40-year career as a student and teacher. Enjoying the retirement life, he has more time to think about and summarize modern ceramic art creation. He plans to embark on the road of artistic exploration from now on: Persistence in Celadon. He reflects over the localization of modern ceramic art and embodies the local consciousness of ceramic art.