摘要
从审美视域出发,对比《活着》的两种文本——小说与电影,受众可以建构出不同的时空观。余华的小说《活着》通过线性时间的叙事方式勾画出一个自然时空,带领读者追问以福贵为代表的底层人民活着的意义。张艺谋执导的电影《活着》则通过政治话语的呈现建构出一个社会时空,使观众感受到时代的政治变迁。当受众超越有限的自然时空和社会时空时,就会感受到二者在审美时空交汇处所生发出的独特魅力。
From the point of view of aesthetic,by comparing novel and film versions of To Live,audiences can construct different conceptions of space and time.Yu Hua's novel To Live outlines a natural time and space through a linear time narrative,and leads us to question the meaning of life for the low-class people represented by Fugui.The film To Live directed by Zhang Yimou constructs a social time and space through the presentation of political discourse,making us feel the political changes of the times.When audience transcend the limited natural time and space and social time and space,audience will feel the unique charm of the two at the intersection of aesthetic time and space.
作者
李环环
Li Huanhuan(School of Literature,Fuyang Normal University,Fuyang 236037,Anhui,China)
关键词
活着
自然时空
社会时空
审美时空
To Live
natural time and space
social time and space
aesthetic time and space
