论虞世南的书艺思想及其对唐代书家的影响

On Yu shinan’s thought of calligraphy art and its influence on calligraphers in tang dynasty

初唐是中国古代书法史的一个重要阶段,上承魏晋六朝,下启中唐北宋,也是一个新的高峰,可谓是"书至初唐而极盛"。作为"初唐四大家"之一的虞世南,不仅继承了南朝书法"尚韵"之风格,还开创了唐代"尚法"之先河。虞世南书法承续了"二王"传统,内刚外柔,圆融秀拔,颇具"遒丽"之气。而"虞书"创作及其书法理念是相辅相成的,书法理念又是书法实践的重要思想结晶,文章借助《笔髓论》等重要书论作品,从艺术创作与思想的视角出发,进一步探究虞世南书法创作的核心艺术精髓以及其对唐代其他书家创作的重要影响,并涉及虞世南对唐代书坛发展的推动作用。

The early Tang Dynasty is an important stage in the history of ancient Chinese calligraphy, bearing the Wei, Jin and Six Dynasties, the Middle Tang and the Northern Song Dynasties, is also a new peak, it can be said that "the book to the early Tang Dynasty and the peak". As one of the "Four Masters of the Early Tang Dynasty", Yu Shinan not only inherited the style of "Praise charm" of calligraphy in the Southern Dynasty, but also pioneered the style of "Praise guidelines" in the Tang Dynasty. Yu Shinan’s calligraphy is a continuation of the tradition of "Wang Xizhi and Wang Xianzhi", with a firm inside and soft outside, a mellow show and pull, with an "Energetic and elegant" style. Yu Shinan’s calligraphy creation and his calligraphy concept are complementary to each other, and the calligraphy concept is an important crystallization of calligraphy practice. From the perspective of artistic creation and thought, this paper makes use of the important works of writing, such as "The essence theory of writing brush", it further explores the core artistic essence of Yu Shinan’s calligraphy creation and its important influence on the creation of other calligraphers in the Tang Dynasty, and also relates to Yu Shinan’s promoting role in the development of the Tang Dynasty calligraphy circle.